“They’re probably the most technically advanced and ruthless
life form in the galaxy.” And yet whenever the Daleks appear on screen in Death
to the Daleks they are accompanied by some kind of bumbling bumpkin music that
undermines this image of the Doctor’s deadliest enemy.
“Inside each of those shells is a living, bubbling lump of
hate.”
Cue bumbling bumpkin theme music.
It just doesn’t rhyme.
Granted, the Daleks are somewhat neutralized in Death to the
Daleks due to the energy drain that has rendered their weapons useless.
However, even with their energy blasters out of commission the Daleks find a
way to dominate; they simply fit themselves with more primitive firearms.
I do have to wonder, though, why the energy drain does not
affect the Dalek power of movement. After all, the TARDIS is completely shut
down. Landing on the planet Exxilon the TARDIS, “a living thing . . . thousands
of instruments . . . its energy sources never stop” as the Doctor describes
her, is plunged into darkness. Even the doors will not work and the Doctor has
to dig out a hand crank to pry them open. Back in The Web Planet the first
Doctor could open the powerless TARDIS doors with his ring, but absent the ring
I guess he uses a crank.
The Daleks, however, can still move about; can still
communicate; can still enter and exit their ship; can still find firearms to
take the place of their defunct blasters; can still strike terror in the hearts
of their foes. All to a bumbling bumpkin tune.
Despite this anomaly Death to the Daleks is a decent four
part story. Due to the energy drain the Doctor, Sarah, a party of similarly
stranded earthlings and the Daleks form an uneasy alliance. However once fitted
with their new but primitive firearms, the Daleks take over and enslave the
native Exxilons to mine for parrinium, yet another rare precious mineral in a
long line of Doctor Who rare precious minerals.
Meanwhile, the Doctor leaves Sarah behind to cope with the
Daleks and the parrinium while he goes off with Bellal, a native Exxilon, to
restore power.
The Exxilons are another example of a longstanding Doctor
Who tradition—a tribe of people descended from a great and technologically
advanced peoples but who have devolved and have lost all knowledge of their
ancestral heritage. Plus we have an engineering feat that has run amok; a maze
that can only be traversed by solving a series of complex puzzles; and a
computer undone by a paradox. All solid Doctor Who staples.
And all part of a separate storyline that the Doctor has
followed, leaving the Daleks, enslaved minors, and stranded Marine Space Corp
team behind, although a couple of Daleks and space cadets do tag along
belatedly.
Bellal leads the Doctor to the magnificent living city that
his ancestors built. This self-repairing city with a brain turned on its creators
and now sits impenetrable and indestructible, sapping all energy around it. As
the Doctor and Bellal work their way deeper into the city by solving the
various brain teasers along the way, they are followed by two Daleks. However
the threat posed by these ‘bubbling lumps of hate’ is again undercut by the
bumbling bumpkin theme.
I almost wonder, Gary, if the Death to the Daleks title was
meant to be prophetic; I wonder if the show was trying to kill off the Daleks,
not with a bang but a whimper. After all, who would hide behind a couch when
the musical cue was clearly comedy not danger?
And yet the “scorched planet policy” of the Daleks is a very
real threat in Death to the Daleks.
It just does not rhyme, this discordant note.
In the end the Daleks are handily disposed of by the unlikely
Galloway, the de facto leader of the Marine Space Corp who defies all
expectations and sacrifices himself to blow up the Dalek ship in flight, ending
the Daleks with a bang after all and not a whimper.
The Doctor is left to deal with the power draining city. “A computer
is a machine of logic,” the Doctor reasons, and therefore “it cannot stand
paradoxes.” He engineers “what in human terms is called a nervous breakdown”
and the city self destructs. This is a useful device used against many a Doctor
Who computer, and yet, Gary, I can’t help doubting its authenticity. But I’ll
let that go.
The Daleks have their own way of dealing with the city,
having sent up two of the space cadets with a bomb to blow up the beacon atop
the city. I suppose if the Doctor hadn’t scrambled the city’s brain it would
have self-repaired, so the Doctor’s trek into the inner workings of the place
was not in vain, and Galloway was able to secrete one of the bombs for use later
against the Daleks so everything ties together nicely.
“It’s rather a pity in a way; now the universe is down to 699
wonders.”
Cue bumbling bumpkin music; cue TARDIS takeoff.
Cue another send off, Gary, hoping to find you somewhere out
there . . .
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