The Power of Three is another example of the story being
sacrificed to accommodate the season arc. Thus we get “the year of the slow
invasion,” which could be a fascinating case study but turns out to be merely a
ridiculous conceit in order to get “the time the Doctor came to stay.” All in
service to the mini-arc for this half season of Amy and Rory as explicitly
stated by Rory: “We have two lives; real life and Doctor life. Except real life
doesn’t get much of a look in.”
I don’t mind too much, though. Partly because it doesn’t try
to disguise itself as anything other than the blatant excuse to get the Doctor
to come out and play in Amy and Rory’s world that it is, and partly because it
is great fun.
The slow invasion of cubes that appear scattered throughout
the world over night is an intriguing concept; the show just doesn’t care
enough to flesh this idea out to give it any meaningful threat or resolution.
Short story: the Shakri have decided to do some pest control of Earthlings by
sending them a bunch of cubes that sit around doing nothing for a year before
they suddenly start doing random and bizarre things like playing the Birdie
Song (or as I always knew it, the Chicken Dance) over and over, producing mood
swings in people, and taking the pulse of those nearby; after a brief time of
this they abruptly shut down; they then begin a countdown starting from seven,
and when they reach zero they emit an electrical surge to stop the heart of the
closest human. Not the most efficient way to go about an extermination. In fact
it’s downright ludicrous.
Also unbelievable is the fact that many of the cubes are
still littering the same streets and sidewalks after a year’s time. I guess
sanitation crews around the world have gone on an extended strike. This is
plain sloppiness on the part of the Doctor Who production team. And after a
year of sitting around being boring, the majority of these cubes would have
been trashed long ago. There’s not even any variety in size, shape, or color.
Nothing to capture humanity’s imagination for longer than a week once their
novelty wears off.
The novelty hasn’t worn off for the viewer, however, because
while the cubes have remained static our characters have not. The Doctor, Matt
Smith’s Doctor in particular, is always hilarious as he tries to cope with
mundane life. His frantic attempts to fill even an hour’s time are highly
entertaining. The Ponds, meanwhile, resume their everyday lives before being
whisked away by the Doctor for an anniversary adventure. Added to this mix are
the always enjoyable Brian Williams and the introduction of Kate Stewart,
scientific advisor to UNIT and daughter to the late Brigadier
Lethbridge-Stewart.
This is purely a character study, Gary. Forget about the
narrative. Forget that the cubes are idiotic and that UNIT basically sits and
watches them for an entire year like the rest of the world and never seems to
do anything proactive. Instead enjoy their “raucous entrance” and Rory’s
response: “There are soldiers all over my house, and I’m in my pants.” (New one
on me—‘pants’ as slang for underwear.) Forget that the hospital staff where
Rory works never takes note of an unaccompanied child in the hallways for months
on end or the disappearance of one of their patients. Forget even that there is
this robot child who doesn’t have any substantially justified purpose and
forget that this patient is spirited away by some strange looking orderlies for
purposes unknown. (Visions of Donna Douglas waking in a Twilight Zone hospital
flit through my mind). These are for eerie atmosphere only and have no real
connection to the plot.
Rory’s dad is the most earnest in his cube watching, and the
most entertaining in doing so. He encapsulates the spirit of the story, making
a whole lot of nothing into an amusing 45 minutes. He is just as sincere in his
offer to help out at the hospital. His subsequent kidnapping by those strange
orderlies serves to get Rory, Amy, and the Doctor aboard the Shakri ship and
that seems to be the only reason he is abducted along with a handful of others.
Once on the ship the Doctor pushes a few buttons and the
dead people (who are still littering the sidewalks and streets where they first
dropped just like the cubes) suddenly pop up, their hearts started once again.
Neat and clean, as long as you don’t wonder about the inevitable pilots and bus
drivers and heavy equipment operators and doctors in the middle of surgery and
a host of others who surely would have died taking out many more with them in
the process. Unsuccessful in their attempt to wipe humanity from the galaxy,
the Shakri apparently slink away never to try again.
It’s unimportant, though, because as Amy tells us: “So that
was the year of the slow invasion, when the Earth got cubed, and the Doctor
came to stay. It was also when we realized something the Shakri never
understood. What cubed actually means. The power of three.” The power of three
of course referring to the Doctor, Amy, and Rory. This was an excuse to explore
their relationship, Pond life, and Doctor life; and for the Ponds to finally
choose. Because the Ponds are not long for this Doctor Who world and so the
show needs to build to the most satisfying emotional impact of their departure.
Along the way we get some nice bonding moments between the
Doctor and Amy, and this insightful speech from the Doctor: “I’m not running
away. But this is one corner of one country in one continent on one planet
that’s a corner of a galaxy that’s a corner of a universe that is forever
growing and shrinking and creating and destroying and never remaining the same
for a single millisecond. And there is so much, so much to see, Amy. Because it
goes so fast. I’m not running away from things. I am running to them before
they flare and fade forever.” Of course this would be a thousand times more
effective if the Doctor didn’t spend 90% of his time running to this exact
corner of this exact country in this exact continent on this exact planet.
I send this out, Gary, from my one corner, hoping that it
will run and run and run so far away and will eventually find you in some far flung
corner of some far flung galaxy . . .
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