“It really is the dawning of the Age of Aquarius.” And The
Daemons really is the perfect story for this time of year. “That means the
occult . . . well, you know . . . the supernatural and all that magic bit.”
The Doctor, however, will have none of it. The Age of Aquarius,
the occult, the supernatural, witches, the devil, magic . . . “Everything that happens
in life must have a scientific explanation . . . if you know how to look for it
that is.”
“How infuriating can you get,” Jo says of the debunking
Doctor.
But it’s all great fun, debunking myths and while doing so
creating new ones. And it’s all rather paradoxical, a science fiction show, a
show full of gods and monsters, a show of the fantastic and unreal refuting the
fiction with faux facts.
It’s rather like the Doctor scoffing, “A rationalist
existentialist priest indeed.”
Doctor Who embraces this irony, and never more so than in
The Daemons.
We start with an archaeological dig excavating an ancient
burial mound called the Devil’s Hump near a village called Devil’s End on the
eve of Beltane. Professor Horner derides the local white witch’s warnings as
mere superstition, but the Doctor rushes in with warnings of his own. He is too
late, however, and as the mound is opened an icy blast of wind kills the
professor and freezes the Doctor.
It is not the devil that is unleashed, however, and this is
not Hell freezing over. This is the Master, posing as the local vicar, calling
forth an alien being who has been using the Earth as a laboratory. This alien
being, a Daemon named Azal, has been aiding and influencing Mankind down
through the ages as a scientific experiment.
The Daemons, the thawed out Doctor (who apparently has “the constitution
of an ox”) explains, are an amoral race of beings, and “all the magical
traditions are just remnants of their advanced science.”
This is where I have to agree with Jo—how infuriating can
you get? The entirety of Human history trivialized as an alien science project.
“I sometimes wish I worked in a bank.” Leave it to the
Brigadier to interject a much needed dose of reality into the proceedings.
Whether it is the devil or a Daemon, black magic or science, just take care of
business . . . “five rounds rapid.”
Azal is nearing the end of his experiment and ready to
decide if it has been worthwhile or if Earth is a failure ready for the rubbish
bin.
“This planet smells to me of failure.” Doesn’t sound very
promising for Earth’s future.
But a giant Azal and his gargoyle minion Bok, aided by the
Master and his troop of mesmerized villagers, is no match for the Doctor, Jo,
the Brigadier, Captain Yates, Sergeant Benton, and the white witch Olive
Hawthorne.
Everyone gets in the game on this one, even Bessie, and it
is all quite fun. What with the wind whipping, living gargoyles, costumed revelers,
great horned beasts, satanic rituals, maypole dances, human sacrifices,
traditional folk music, and a burning at the stake, who wouldn’t get caught up
in the magic? (Or “psychokinetic energy” as the Doctor would term it.)
The Brigadier is briefly locked out of the action by a heat
barrier that has been placed around the village, but some tense motorcycle
chases and equipment rigging moments with the Doctor effectively breaks through
in a typical Doctor Who conjuring trick, and the Brigadier advances on this
enchanting circle of Hell with nonplussed bravado.
And I have to give a great deal of credit to the Doctor on
this one, Gary. For all of his insolence, when Jo unexpectedly lays into the
Brigadier the Doctor comes to his defense: “Jo, the Brigadier is doing his best
to cope with an almost impossible situation, and since he is your superior
officer you might at least show him a little respect.” Amen. Now if the Doctor
would only take a little of his own advice once in a while . . .
Let’s not forget the Master in all of this. The Master is
trying to convince Azal to transfer his daemonic power to him so that he
can take over control of the planet. Azal briefly considers the Doctor for this
role but in the end rejects him in favor of the Master and marks the Doctor for
death.
In steps Jo. Jo stands in the way of Azal’s bolt of electricity;
Azal is dazed by this baffling display of self-sacrifice, and his confused rage
literally consumes him.
Love has saved the day. “It really is the dawning of the Age
of Aquarius,” as Jo says.
“Science, not sorcery,” says the Doctor. But is it science
or is it fiction? Is it magic or is it psychokinetic energy? Is it the devil or
is it a Daemon?
All I know, Gary, is that The Daemons is Doctor Who magic; both
science and sorcery.
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