Genesis of the Daleks is arguably one of the most seminal
serials in Doctor Who. The Daleks put Doctor Who on the map back in 1963
despite the fact that that first story was long, drawn out, and boring. The
Daleks captured the imagination of a nation and struck fear into its young
audience. Since then the Daleks have returned to the series multiple times,
relentless and ruthless.
However, Doctor Who is more than the sum of its Daleks. Other
aliens have come and gone; additional arch enemies have emerged to harass the
Doctor. The Master, the Cybermen, and the Sontarans, to name a few, rival the
Daleks for Doctor Who villainy. A story depicting the origins of the Daleks
would not rise to classic stature in and of itself, although it does in and of
itself contain the potential.
A story reuniting past Doctor generations has the same landmark
potential; however none of those that have been attempted have quite delivered.
Genesis of the Daleks delivers.
That is not to say that Genesis of the Daleks is the best
Doctor Who story ever written or even the most entertaining. It is a good
story, well written and entertaining, yes, but it is a tad long just like that
first long ago Dalek adventure. No, a solid script and outstanding concept
alone will not elevate a story in such a way.
Time and again in Doctor Who we are told that “the Dalek
menace always remains;” that they are evil; that they are the greatest threat
to the universe. Genesis of the Daleks provides the meat for these bare bones
statements. After watching Genesis of the Daleks we not only know this as fact,
we believe it.
We believe it because of Davros. Davros, this one mutation
of a man. Davros, this egomaniacal mad scientist. Davros, this creator of the
Daleks. Davros.
Davros: “Evil? No, no, I will not accept that. They are
conditioned simply to survive. They can survive only by becoming the dominant
species. When all other life forms are suppressed, when the Daleks are the
supreme rulers of the universe, then you will have peace; wars will end. They
are the power not of evil but of good.”
Doctor: Davros, if you had created a virus in your
laboratory, something contagious and infectious, that killed on contact, a
virus that would destroy all other forms of life, would you allow its use?”
Davros: “It is an interesting conjecture.”
Doctor: “Would you do it?”
Davros: “The only living thing, a microscopic organism,
reigning supreme. A fascinating idea.”
Doctor: “But would you do it?”
Davros: “Yes . . . yes. To hold in my hand a capsule that
contains such power; to know that life and death on such a scale was my choice;
to know that the tiny pressure of my thumb, enough to break the glass, would
end everything. Yes . . . I would do it. That power would set me up above the gods.
And through the Daleks I shall have that power.”
This is a truly chilling scene, brilliantly written,
brilliantly acted. Davros in and of himself is a masterpiece.
Davros is not alone. The Doctor, too, rises above in Genesis
of the Daleks. You know, Gary, that I already have a high opinion of Tom Baker’s
Doctor. In Genesis of the Daleks he is superb.
The Doctor is on Skaro at the moment of the Daleks’ creation
because the Time Lords have sent him there. The Time Lords, those galactic ticket
takers, those champions of non-interference, have set the Doctor on a mission
of interference. If there is one thing that Doctor Who has always preached it
is that history should never be changed. That seems to be a rule inviolate with
Time Lords. Yet here they are blatantly breaking that rule. And all it takes is
one word, “Daleks,” and the Doctor agrees.
But that ancient pull of the Time Lords, that philosophy of
detachment engrained in him as a boy and that he ran from in his stolen TARDIS,
that fixed point mentality has shaped the Doctor in many ways. The Doctor has
his own genesis to deal with.
“Have I that right?”
The Daleks, “the most evil creatures ever invented;” the
Daleks, that devastating virus about to be unleashed on the world; the Daleks.
And yet the Doctor asks, “Have I that right?”
“But the final responsibility is mine and mine alone,” the
Doctor reasons. The Time Lords have sent him on this mission, Sarah is urging
him to it, the Daleks are before him, “simply touch one wire against the other
and that’s it.” And yet he asks, “Have I that right?” This is his decision to
make; not the Time Lords’, not Sarah’s, not History’s. His and his alone. “Have
I that right?”
The Doctor would not be the Doctor if he did not ask the
question. If he did not agonize over the decision.
“Listen, if someone who knew the future pointed out a child
to you and told you that that child would grow up totally evil, to be a
ruthless dictator who would destroy millions of lives, could you then kill that
child?”
Just touch the two wires and no more Daleks. ‘Just do it, Doctor,’ every fiber in every
being screams.
And yet . . . “But if I kill, wipe out a whole intelligent
life form, then I become like them. I’d be no better than the Daleks.”
The Doctor must and does agonize over this decision. It is
his decision, and his alone.
This is where the story gets in the way.
There is a story unfolding around these moral dilemmas and
philosophical discussions. It’s a decent enough plot. Back in our first Dalek serial
from 1963 we saw the results of the devastating war on Skaro leaving the Thals
as scrounging nomads, mutations lurking in swamps, and Daleks holed up in their
metal city. At that time we learned that the Daleks had evolved from a race
called Dals. In this story we learn they are actually Kaleds. I don’t worry too
much about this discrepancy though, Gary. I figure that the nomadic Thals who had been carrying
around their history for thousands of years after the ravages of war were bound
to have inaccuracies.
Genesis of the Daleks takes place at the end of this war
between the Thals and the Kaleds, and we have some interesting socio-political
dynamics going on and several fascinating characters if we had the time to
explore them, but as it is they serve merely as an enriching backdrop to the action.
Although I do want to make special mention of Nyder. His fanatical devotion to
Davros would make for some absorbing study.
The action consists of some straightforward combat,
political intrigue, betrayals, plotting and counter plotting, captures and
escapes, chases, and explosions. In the midst of all this Sarah gets
conscripted into working on a rocket for the Thals and leads a failed escape
attempt while Harry steps in a giant, mutated oyster (“Why is it always me that
puts a foot in it?”).
Right when the Doctor is having his momentous battle of
conscience the plot collides with him. He does not need to blow up the Daleks
he is told. Kaled scientists and military elite have banded together against
Davros and he has agreed to alter the genetic engineering of the Daleks to give
them a sense of right and wrong. Easy out.
Of course Davros won’t give up that easily. This is merely a
plot of his own to lull his detractors before turning on them: “Do you believe
that I would let a lifetime’s work be ended by the wills of spineless fools
like you?”
And so the Doctor must make his decision after all, only now
he has no time to think. No more standing with the two wires almost touching,
wondering about the right and the wrong of it. No more questions. No more hypotheticals.
With Daleks patrolling the corridors and Thals prepared to blow up the tunnel,
the Doctor must act. And he does (with a little help from a Dalek).
In the end, his act will only delay the Daleks, not defeat them.
The Daleks are never defeated. But that doesn’t distress the Doctor: “Out of
their evil must come something good.”
This is, after all, the genesis of the Daleks, not the
demise. Born out of the chillingly maniacal brain of Davros, these creations set
themselves, not Davros, above the gods: “Our programming does not permit us to
acknowledge that any creature is superior to the Daleks.”
Genesis of the Daleks makes us believe, not just know, that
the Daleks are evil. And when they turn on their creator; when they turn on one
of the most unsettling villains in Doctor Who; when they turn on Davros with no
compunction, we feel the icy terror in our veins.
“Pity. I have no understanding of the word. It is not
registered in my vocabulary bank. EXTERMINATE!”
They might be pepper pots and “wee salt-shakers,” but these
cold, pitiless words would make me cower behind a couch any day.
But like the Doctor I am not disappointed that the Daleks
are only delayed and not defeated. Out of their evil comes much good Doctor Who
viewing.
And so I am settling in for a nice long run of this fourth
Doctor, hopefully with a Dalek or two, and I hope this finds you somewhere out there, dear Gary . . .
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