Oh good God. It’s Peri.
And did they really have to name her stepfather Howard? It’s
a creepy enough stepfather/stepdaughter relationship, but every time she whines
“Howard” I hear echoes of “Howard, Howard Bannister” from the overbearing
fiancé in What’s Up Doc? Eunice Burns. Coming from the mouth of Madeline Kahn
it is hilarious; however coming from the mouth of Nicola Bryant playing
Perpugilliam Brown it is nails on chalkboard annoying.
I want to like the girl. She’s spunky enough, especially
when she stands up to the Master/Kamelion. But when she sputters out lines like
“S-s-so what. I-I-I’m Perpugilliam Brown and I can shout just as loud as you
can,” she just sounds like a brat having a tantrum. She is constantly
whimpering, screaming, crying, griping, and stuttering. All in the most
annoying voice I ever heard.
Even the Master/Kamelion tells her, “Stop mewling.” If only.
Did I mention that she has an annoying voice?
Peri almost makes me long for Saloon Song Sally from The Gunfighters. Or how about some Zarbi? I think I could tolerate a Zarbi
companion better.
Speaking of companions, this is the last outing for Turlough
and Kamelion both. The open door policy of the TARDIS is coming to a close.
Before kicking him out, however, we at last get a brief accounting of
Turlough’s background.
Up until now Turlough has been a mystery. When first
introduced in Mawdryn Undead we knew he was not from Earth even though he was
found in a boy’s school there (“the worst place in the universe”). The Doctor
knew too. It was evident from the start that the Doctor made this instant
assessment, but he chose to keep it to himself, smirking with his secret
knowledge. I keep expecting the Doctor at some point to reveal his awareness of
Turlough’s alien being and to ask some questions. But he never does. Turlough
is just accepted with no curiosity or interest expressed by the Doctor.
This indifference is maintained throughout Turlough’s tenure
with the Doctor. Occasionally the Doctor slips in a sly grin at him as if to
say, ‘I know what you’re about but I’m not going to bother discussing it with
you.’ I find this maddening because I am extremely curious about Turlough.
Planet of Fire starts filling in some of the blanks for us,
and finally the Doctor begins to ask questions. Understandably, Turlough
rebuffs these enquiries or gives only brief, half answers. I don’t blame him, and
the Doctor’s hurt and at times hostile reaction is unjustified since he has
never attempted any confidence or understanding with his companion before.
If he had made any effort at all, the Doctor would have
learned that Turlough is a political exile from his home planet of Trion,
having been on the losing side of a civil war. Early in his travels Turlough
requested that the Doctor take him to his home planet. Given the circumstances
I’m not sure why, but perhaps he was just looking to spark some interest and
when that didn’t work he shrugged and gave up. No wonder he desperately tries
to cover up all traces of Trion at the beginning of Planet of Fire.
At least Turlough was treated better during his journeys
with the Doctor than Kamelion who was ignored; shunted off to a back room of
the TARDIS and forgotten. And at least Turlough leaves the Doctor willingly,
albeit reluctantly (“I don’t want to go, Doctor; I’ve learned a lot from you”), to
return to his home planet as “a bit of a hero.” Kamelion, on the other hand, is
euthanized by the Doctor using the Master’s dreaded Tissue Compression
Eliminator after first having a cyber-heart attack that is induced by the
Doctor.
The Master doesn’t fare any better; not that the Master
deserves any better. Seeking renewal, the Master stands in the stream of the
restorative numismaton gas only to have it turn to flames. The Doctor stands by
and stares as the Master is consumed. A rather grim story for the Doctor; so
much for his vow to mend his ways at the end of Resurrection of the Daleks.
Planet of Fire does have a semi-decent core of a story, if
somewhat threadbare. Holding it together is Timanov, the truly devout spiritual
leader of the colony on Sarn. His presence lends remarkable dignity to the
tried and true tale of indigenous peoples worshiping the memory and artifacts
of alien visitors.
In this case the alien visitors were from Trion. Sarn, we
learn, served as a prison planet for Trion political prisoners. This is where
it gets a bit murky on timelines and details. There are some ruins of what must
have been a Trion city, but there are no longer any inhabitants. The only Trion
on Sarn, other than the newly arrived Turlough, is Malkon. Apparently the last
ship from Trion carrying prisoners crashed, killing all on board including
Turlough’s father, with the exception of the infant Malkon who turns out to be
Turlough’s brother. This does not explain what happened to the others from
Trion who had come before, nor does it explain how they came to be viewed as
gods. Or more accurately the god Logar, or indeed where the name Logar came
from. I can only assume that the first prisoners were led by a man named Logar
and he viewed it as a joke to pass himself off as a god to the natives. And I
can only assume that this happened many generations ago; that is the only
explanation for the legend to be so firmly entrenched and for Timonov’s faith
to be so dearly held.
Turlough makes a point of noting the Trion equipment located
in the Hall of Fire is fairly new so it must be off of his father’s crashed
ship. Malkon was an infant at the time of the crash but Turlough was old enough
to be a Junior Ensign Commander, yet there doesn’t seem to be that great of an
age gap between the two. Of course this could be explained by time travel;
Turlough could be in his own future in which case his return to Trion would
find his contemporaries aged well past him. Or it could just be that the people
of Trion show their age differently than those of Earth. Either way, it would
be fascinating to catch a glimpse of the continuing story of Turlough. Alas,
not to be.
All of this is presumption on my part; we only get a
shorthand version of the history of Sarn. Much like the shorthand version of
how the Master came to be miniaturized; how or why the diminutive Master got
himself into a box; and how the Master came to control Kamelion.
I suppose the nature of the story demands the shorthand,
what with all of the arrivals and departures and explanations that need to be
crammed in. It is a decent enough tale, one that does some long overdue justice
to Turlough. I’m sorry to see him go but I don’t blame him for leaving. I don’t
much care one way or the other about the death of Kamelion; he has been so utterly
neglected that his demise has little impact. The use of the Master, however,
has been so overused that I don’t really mind seeing his supposed destruction;
and his miraculous ability to reappear with little or no explanation of how he
got out of the last impossible predicament the Doctor left him in blunts any
real threat that this is the end for him.
But oh good God, Gary. It’s Peri.
I don’t know what your thoughts were on Peri, Gary. I don’t
think you had the same visceral dislike that I have. I will try my hardest to
look past the cringe inducing effect her voice has on me as I go forward.
But oh good God . . .
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