“Yuck.”
That about sums up The Twin Dilemma. More words of wisdom
from Peri: “It’s terrible.”
I find it oddly appropriate, however, that this initial
Colin Baker Sixth Doctor serial is a patchwork quilt of awfulness.
The worst of the lot are the twins of our title. These
Children of the Corn rejects might have their father inexplicably cowed, but
they really are rather pathetic. I can’t imagine why some intergalactic space
agency has a special interest in the pair, but someone in authority sensibly calls
an abrupt halt to that plotline early on. Unfortunately our story is stuck with
these brats. Apparently they are a couple of mathematical geniuses, but Adric
did a better job of convincing me of that than Romulus and Remus do.
Azmael, going under the alias of Edgeworth for some unknown
reason, kidnaps this less than dynamic duo and for better or worse our dilemma begins.
It begins with a newly regenerated and highly erratic Doctor.
“No place for space. Nothing. Nothing but the grinding
engines of the universe, the crushing boredom of eternity.” This is the fifth
time the Doctor has undergone this “natural metamorphosis” and it is beginning
to wear on him. The first three times were relatively uneventful, the fourth
laid him out for a spell, but now the enormity of the “grinding engines” and “crushing
boredom” are becoming very real for him. Is it any wonder so many Time Lords
succumb to insanity? I think ahead to New Who and the Master’s description of
the drum beat in his head . . . . But I digress.
“Regeneration in my case is a swift but volcanic experience,”
the Doctor tells a worried Peri. I have to admit, Gary, that I rather like Peri
in these opening sequences. “I have to live with it,” she says of his new
countenance, clearly unhappy with the change from the “almost young” Fifth
Doctor. Her surly reaction to his regeneration is very apropos of her character
and for a brief period she is tolerable.
I even find the Sixth Doctor tolerable for a one serial
regeneration induced psychotic episode. His mood swings, sudden fits of
violence, and acts of cowardice are all forgivable in this context. He still
manages during sporadic moments of sanity to resolve the difficulties faced in
The Twin Dilemma. He does play it a bit over the top, however. Maybe it is the
clown outfit he chooses, or the mediocre and somewhat loose production, but he acts
more buffoon than hero.
What I find most off-putting about this characterization is
Colin Baker’s emphasis on personal pronouns when delivering his more arrogant
lines: “For a minute you almost had me worried there;” and “It may take
. . . even me . . . a few days.” His persistence in punctuating the
lines in this way is unnecessary and turns what could be justified conceit into
something that is inflated and suspect. If memory serves, he keeps up this
embellishment during the rest of his tenure which is one of the main reasons I
have placed him at the bottom of my list. I can overlook it to some extent in
this premier serial due to his regenerative psychosis, but if it does persist
as I suspect, he will retain that ranking. (Interesting that my dislike of Peri
and the Sixth Doctor stems from irritating speech patterns for both.)
“A peri is a good and beautiful fairy in Persian mythology.
The interesting thing is, before it became good, it was evil.” With this
statement the Doctor lunges at Peri and begins to choke the life out of her.
This scene is shocking to say the least, and it is also most certainly ill
advised. The Doctor’s instability has already been established so there is no
need for this violent proof of it. The fact that it is not only violent but
murderous is so deeply alien to the Doctor that it undermines everything we
have come to expect of him. “I have an
inbuilt resistance to any form of violence,” he assures Peri when informed of
this latest fit. It makes him sound like an android with a prime directive
programmed in that has somehow been bypassed.
If the intent was to show that the Doctor does have a
homicidal side buried deep within his psyche; if the intent was to illustrate a
dark and dangerous edge to the Doctor; if the intent was to elicit an element
of fear; why did they dress him up in a clown outfit? But that isn’t the only
thing weakening this scene. It is immediately blunted when Peri puts this incident
behind her and loyally follows along behind the Doctor, even briefly resigning
herself to a life of hermitage, ministering unto the Doctor’s needs. This is a
young girl who has gone off with a strange man she barely knows, she is on an
alien planet with no means of returning home other than through him, and he has
just tried to kill her. This girl is not very bright, she has a masochistic
side, or the death threat was not really serious and merely a gratuitous
gimmick.
This is when Peri starts to become irritating again. Knowing
this man is unstable, all she can do is whine, ask continual questions, berate,
and contradict him. I think she is deliberately trying to goad the Doctor;
perhaps she is masochistic after all. Let’s take a look at one particular
scene:
Peri: “Oh, let’s get out of here.”
Doctor: “The perpetual cry of all cowards. We must
investigate.”
Peri is being her typical difficult self and the Doctor is
in one of his saner moments. Peri therefore decides to mess with him, playing
on his fears when she knows he is prone to fits of cowardice:
Peri: “But do you think that wise? There could be enormous
danger, even worse.”
Doctor: “Worse? Yes, yes, well perhaps you’re right. The
purpose of reconnaissance, after all, is to gather information, not to finish
up face down in a pool of one’s own blood. Especially blood as noble as mine.
We’ve found out what we want to know.”
Peri: “There is one thing, though.”
Now Peri is really sticking it to him.
Doctor: “What?”
Peri: “The children Lieutenant Lang mentioned.”
Wow. Backtracking on herself just to further oppose the
Doctor. Undermining his confidence, getting him worked up, and then challenging
him to continue on.
“You know my current state of mind,” the Doctor points out,
and yes, she certainly does know his current state of mind, yet she does
everything in her power to provoke him.
In a later scene she expresses relief at finding out the
Doctor is alive when she thought him dead. “I-i-i-it’s called compassion,
Doctor; i-it’s the difference that remains between us.” This is an obviously
scripted line that falls flat when she stammers it out, especially given the
little concern or sympathy she has expressed towards him throughout.
I think my own sympathy for the Sixth Doctor is growing just
a little.
“And kindly refrain from addressing me as Doc.” With that
line harkening back to the First Doctor my sympathy grows even more.
Despite the handicaps of a contrary companion and of “behaving
like a manic barometer,” the Doctor manages to navigate through this muddled
plot and come out a winner. He is about the only one who gives a good
accounting for himself.
Hugo and his Technicolor Dreamcoat talks a good game but
spends most of his time knocked unconscious or stuck in gastropod slime,
although he does come through at the end. Parenthetically, I guess I can’t
blame him for deciding to quit his Interplanetary Pursuit Squadron seeing as
they had abandoned him to his fate, but I doubt that Jaconda will have much to
offer him (unless he is into birdmen). And while I’m on the subject, why do the
Jacondans need outsiders to lead them—first Asmael and now presumably Hugo?
As for Asmael, for a Time Lord he is pretty thick headed. I
suppose being as old and on his last generation as he is, he might have some
excuse. But really, he didn’t realize what would happen to the two smaller
planets when moved closer in orbit to the sun? But then all of the planet
moving business is farfetched and extremely shaky science to begin with. I don’t
know, Gary. I’m not a scientist. But the theory that placing the planets in the
same orbit only in different time zones—wouldn’t they eventually catch up to
each other? Planet Two is in the same place as Planet One except on Tuesday
instead of Monday. Planet Three is in the same place except on Wednesday. That’s
all well and good on Monday, but what happens when Tuesday dawns on Planet One?
The makeup for the Jacondan birdmen is quite good, actually.
Noma is a decent henchman and Drak is noble but doomed. The Chamberlain is
pitiful and I’m not sure what purpose his character serves.
Then there is Mestor. What can I say? Another in a long line
of woefully realized Doctor Who monsters.
The Doctor, meantime, rescues Lang from his shipwreck,
manages to escape from the locked room set to self destruct, locates the
kidnapped twins, discerns the fatal flaw in the planet moving scheme, reasons
out Mestor’s true intentions, and kills Mestor thus saving Jaconda and the
universe. Not a bad outing for his first go. I also have to mention that his
touching farewell to the dying Asmael is full of the compassion that Peri talks
of but fails to practice.
“And I would suggest, Peri,” the Doctor advises, “that you
wait a little before criticizing my new persona. You may well find it isn’t
quite as disagreeable as you think.” Perhaps I will take a little of the Doctor’s
advice myself, Gary. “Whatever else
happens,” he continues, “I am the Doctor, whether you like it or not.”
I still can’t say that I necessarily like it, but I would go
so far as to say I don’t dislike it as much as I thought.
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